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God Bless Americana

I prefer always, always, a poor tragically human human
to a wealthy tragically human human for what I consider
obvious reasons. And so, the blue-collar county I call home
hurts my heart with its needless massacre — the poisoned
skunks lying about, the trash bin full of target practice bunnies,
the dressed deer strung up like Christmas and most recently,
the McDonalds bag yelping roadside — I watched my neighbor
scurry out the house and toss the bag onto piled yard waste.
I cannot help from doubling over with panic at the demise, not
because of the death but because of the no-death — when
the skunk is still frothing at its obsidian little lips, when valley
wind dumps the trash bin and a bunny escapes, dragging, dragging,
and so, I asked Santa for a hatchet — sensible and head-heavy —
to take care of business myself. I practiced on roots, produce,
rotisserie chickens. I watched zombie movies — always kill
the head
— and murder movies and G.I Jane — I never saw
a wild thing sorry for itself
— and after the neighbor shut her
door I ran to the bag, my hatchet at the ready, gripped cautiously
like a child’s hand while street crossing and when I opened
the trashed bag there was nothing inside but blood, blood.

Adele Elise Williams is the author of WAGER selected by Patricia Smith for the 2024 Miller Williams Poetry Series. She is a PhD candidate in Literature and Creative Writing at the University of Houston where she serves as Nonfiction Editor for Gulf Coast. With Dana Levin, Adele co-edited the most recent volume of the Unsung Masters Series on poet Bert Meyers.

Appears In

Issue 21

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