Scenes from early afternoon in a tropical port
On the docks the stevedores, shirtless and glistening,
appear as Greek statues in motion. They move
only as fast as they have to, eighty-pound sacks
of sugar or coffee on their backs. Behind the town
the jungle hisses and hums. The trees are covered
with thick moss as if the loose ground were
climbing up to claim them. The light is so strong
it bares the rivers hidden within thick leaves;
even the giant canopies spread vast like the awnings
of seedy flophouses or bars. This light makes even
the shade seek a further darkness. The bell approaches
and, for a while, the end of work. Even the hammocks
take siestas here. There is a relationship between
the ambient heat and the bright color on the wash lines
wrapped loose around the women’s thighs.
It is not a linear one. A gaggle of missionaries
disembarks from a rusted ark moored at pier
thirty-three. They were white like potatoes
but the sun, the unrelenting sun, has baked them
into beets. The bodily fluid most often exchanged
here is sweat. But there are others traded
in the earliest morning while the saved sleep deeply.
After the port bell rings the docks quickly clear
and the beers of the American expatriates
grow warm on their quayside tables. The veins
of tar in the road melt to some hellish licorice
as they deal the afternoon’s cards. Now it is easy
to imagine the British Raj, its supply lines thinned
like malarial blood. Only the ants are still busy.
What is the sun to them, worshipping their queen?
Some lines in praise of burial at sea
Let me just say how much
I’ve always loved seafood.
White, pink, red—no matter.
I’ve loved running a knife
through that soft fish flesh,
separating muscle from spine
and rib. And then the taste!
There were my early inclinations
to marine biology. I feel I owe
these creatures the chance to observe my dropping body,
their big eyes curious as I stare back
with light-lost and soul-lost globes
at their many forms, the wonder
of their hidden world.
It comes down to cycles, to return.
Carbon, nitrogen, the trace
elements my body only keeps
in trust.
So back into the mix with them.
And who doesn’t love a sea story?
A mystery? What’s left of me
might fraternize with the remains
of pirates, sailors, mermaids.
All my friends and family
will be gathered at the rail
in fellowship, in a mourning
awash in the dawn’s light.
Splash! Bubbles, then, for a moment—
who will take the first bite, which fish
will run the white blades of his teeth
into the manna of this slowly
falling, spiraling
flesh?
The guests will then dine on oysters,
making a necklace of the rocky shells
while I rest, at last, in a peaceful
descending repose.
Michael J. Galko is a retired scientist and active poet from Houston, TX. He is the artist responsible for ‘haiku house’, a residential art installation consisting of hundreds of original wood-burned and painted haiku. He was a finalist in the 2020 Naugatuck River Review and the 2022 Bellevue Literary Review poetry contests. Recent poems appear in Spillway Magazine, Atlanta Review, Silk Road Review, and Plainsongs.
Appears In
Cagibi Issue 28