Two poems by David Allen Sullivan

Photo of Tash Sultana © Alicia Fox. All rights reserved.

Tash Sultana

                   ’s tattoo 
flares as they fly from
guitar to keyboard
to pedal pumps to re-
peat a phrase falling out
of sync with what they’ve
laid down, body a whirl-
ing dervish of tensions
caught and released
and when I catch enough
of what’s written on their
arm I find the arabic يكون
في سلام، لا في القطع
means be in peace
not in pieces and I
am and they are and we
are all these notes and
singing shored against ruin

Universal Bodies

My student wants to show me
her new tattoos, so she’s band-
aided her nipples and proceeds
to hoist up her shirt, and there—
exploding around each aureole—
are the sun and moon. Solar flares
arc, and the orgasmic orb pulses,
Rothko-like, reddening as it nears
the core. The moon modulates
through softer shades, blue-tinged
craggy surface is mapped with
pock-marks, grayed with craters.
The art’s mad-good, observatory
accurate, and when I fawn over
the work she says Janey took hours
on each—that she’s going pro.
I picture these paired spheres
in a lover’s hands or mouth,
imagine she cups their miracles
in her palms. I imagine the baby
she might invite into this world,
and wonder what it’ll imbibe
as it milk-sucks, hand groping
for the next in line—cool stone
of one hemisphere, flaring furnace
of the other. I’m a child again,
wanting to press into flesh, to be
milk-drunk and careless, to return
to when my mother was the universe.
David Allen Sullivan is the former poet laureate of Santa Cruz county, California. His books include Strong-Armed Angels, Every Seed of the Pomegranate, a book of co-translation with Abbas Kadhim from the Arabic of Iraqi Adnan Al-Sayegh, Bombs Have Not Breakfasted Yet, and Black Ice. He won the Mary Ballard Chapbook poetry prize for Take Wing, and Tim Seibles selected Black Butterflies Over Baghdad for the Hilary Tham Capital Collection (Word Works Books). He co-authored two books of poems, Salt Pruning and Everything I Touch Is—and Isn’t—You, with Ignatius Valentine Aloysius. An anthology, Magpie on the Gallows: Poems on Bosch and Bruegel’s Art, co-edited with his art historian mother, was recently published, and Light Thief, a book of poems and co-translations addressing his mother’s death, will be published by Glass Lyre Press. He teaches at Cabrillo College, where he edits the Porter Gulch Review with his students. https://dasulliv1.wixsite.com/website-1.

Appears In

Issue 29

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