The Unwilling Worship of Light
On VE Day, May 8th, 1945, my mother
danced in the street
with all the other teenage girls
It was from relief, rather than of victory
There had been too much death
a six-year tableau of spillage, breakage
the random dice throw of annihilation
taking of friends, neighbours in night fires
the sudden dismembering of meaning
nightly scatter of parts.
Nothing special, unusual in that
there was always somebody in greater pain.
Wedged between sandwiches and cake
she remembered the night the
ammunition factory went up
she, my grandparents tentatively emerged
out of their shelter, moles
in the silence of a sun lite dawn
to discover it, their garden, fertilized
with seedings of empty shell cases
a brilliant brass glitter that farmed the lawn
cannisters of instant grief made tame
passive, shimmered in shinned angles of
indefinable brilliance
Can I Come Down Now
He had everything, the model of the Apollo 11 rocket
crates of Lego, older brothers with an infinite supply
of T Rex, Bowie
mysterious untouchable pillars of progressive rock
flanking an extensive HI FI
a family that talked with no obvious dysfunction
guilt
a range of instant dayglo puddings
butterscotch, banana, edible unthinkable exotica.
Then the climbing frame
a miracle of symmetrical steel that only the bravest
could conquer
where Fifty years later I am still on the top bar
weight of metal pressing through flimsy tennis shoes,
legs pulsating in terror
my eyes still focussed
on the future, empty fields, stillness beyond rooftops.
Alan Hill has been writing for 25 years, starting in Botswana then in London and now in Vancouver, Canada. His latest book, In the Blood, was published by Caitlin Press in 2022.
Appears In
Cagibi Issue 27